Poppy’s New Video is a Heavy Metal Manifesto—But It’s About Way More Than Mosh Pits
There’s something about Poppy’s latest release that feels like a cultural earthquake in disguise. Her new music video for Dying to Forget isn’t just a showcase of raw energy—it’s a statement. Personally, I think what makes this particularly fascinating is how she’s blending genres and personas in a way that challenges the very idea of what an artist ‘should’ be. Here’s an artist who’s gone from bubblegum pop to industrial metal, and now she’s collaborating with members of Knocked Loose and House of Protection. If you take a step back and think about it, this isn’t just a song—it’s a rebellion against the music industry’s obsession with pigeonholing artists.
The Video: A Study in Controlled Chaos
The visuals for Dying to Forget are as intense as the track itself. Poppy, flanked by Isaac Hale and Stephen Harrison, performs in a dimly lit warehouse surrounded by a frenzied crowd. One thing that immediately stands out is how the video captures the duality of her artistry: she’s both the eye of the storm and the storm itself. The moshers aren’t just extras—they’re a metaphor for the chaos we all carry inside. What many people don’t realize is that this kind of raw, unfiltered energy is rare in today’s overly polished music landscape. It’s a reminder that music can still be visceral, still be real.
The Song: A Masterclass in Emotional Catharsis
Dying to Forget is a sonic rollercoaster. Poppy’s screamed verses are gut-wrenching, but the melodic chorus offers a fleeting moment of respite. From my perspective, this contrast isn’t just a clever songwriting trick—it’s a reflection of the human experience. Life is chaos and calm, pain and relief, all tangled together. What this really suggests is that Poppy isn’t just making music; she’s creating a space for listeners to confront their own emotions. It’s therapeutic, in a way that few artists dare to explore.
The Collaborations: A Bold Statement of Unity
Bringing in Isaac Hale and Stephen Harrison isn’t just a flex—it’s a strategic move. These guys are heavyweights in the hardcore scene, and their presence adds a layer of authenticity to the track. But here’s the thing: Poppy isn’t just borrowing their credibility. She’s bridging worlds. In my opinion, this collaboration is a middle finger to genre purists who insist that artists must stay in their lane. It’s also a testament to her fearlessness as an artist. What makes this particularly fascinating is how seamlessly she integrates their styles without losing her own identity.
The Broader Implications: Poppy as a Cultural Catalyst
This release isn’t happening in a vacuum. Poppy’s upcoming tour with Evanescence and her headlining shows are part of a larger narrative. She’s positioning herself at the forefront of a movement that’s redefining what it means to be a female artist in heavy music. A detail that I find especially interesting is how she’s doing this without sacrificing her artistic integrity. She’s not just riding a trend—she’s setting one. If you take a step back and think about it, Poppy is proving that you can be unapologetically yourself and still connect with a global audience.
Final Thoughts: Why This Matters
Dying to Forget isn’t just a song or a video—it’s a manifesto. It’s about breaking free from expectations, embracing chaos, and finding beauty in the mess. Personally, I think this is exactly what the music industry needs right now: artists who aren’t afraid to take risks, to be vulnerable, to be real. Poppy’s not just making waves—she’s reshaping the ocean. And if this is any indication of what’s to come, I’m all in.
